25.7.09


dejá vu




A sample page from Sylvia Plath’s copy of The Great Gatsby.

14.7.09

Ao tentar fugir aos canais generalistas e às programações nauseantes de inicio de Verão, mudo para o canal Odisseia a fim de ter um pouco de erudição para repetir quando estou em situações desconfortáveis (desbloqueadores de conversa:} ) e apanho esta bonita pérola:

"o estagosaurus era o primeiro ser vivo bipede a andar com as duas pernas...."

seguiram-se 5 minutos de riso alarve com a minha mãe.

7.7.09

forgetfulness


The name of the author is the first to go
followed obediently by the title, the plot,
the heartbreaking conclusion, the entire novel
which suddenly becomes one you have never read,
never even heard of,

as if, one by one, the memories you used to harbor
decided to retire to the southern hemisphere of the brain,
to a little fishing village where there are no phones.

Long ago you kissed the names of the nine Muses goodbye
and watched the quadratic equation pack its bag,
and even now as you memorize the order of the planets,

something else is slipping away, a state flower perhaps,
the address of an uncle, the capital of Paraguay.

Whatever it is you are struggling to remember
it is not poised on the tip of your tongue,
not even lurking in some obscure corner of your spleen.

It has floated away down a dark mythological river
whose name begins with an L as far as you can recall,
well on your own way to oblivion where you will join those
who have even forgotten how to swim and how to ride a bicycle.

No wonder you rise in the middle of the night
to look up the date of a famous battle in a book on war.
No wonder the moon in the window seems to have drifted
out of a love poem that you used to know by heart.

- Billy Collins

Canada

I am writing this on a strip of white birch bark
that I cut from a tree with a penknife.
There is no other way to express adequately
the immensity of the clouds that are passing over the farms
and wooded lakes of Ontario and the endless visibility
that hands you the horizon on a platter.

I am also writing this in a wooden canoe,
a point of balance in the middle of Lake Couchiching,
resting the birch bark against my knees.
I can feel the sun’s hands on my bare back,
but I am thinking of winter,
snow piled up in all the provinces
and the solemnity of the long grain-ships
that pass the cold months moored at Owen Sound.

O Canada, as the anthem goes,
scene of my boyhood summers,
you are the pack of Sweet Caporals on the table,
you are the dove-soft train whistle in the night,
you are the empty chair at the end of an empty dock.
You are the shelves of hooks in a lakeside cottage:
Gift from the Sea by Anne Morrow Lindbergh,
A Child’s Garden of Verses by Robert Louis Stevenson,
Anne of Avonlea by L. M. Montgomery,
So You’re Going to Paris! by Clara E. Laughlin,
and Peril Orer the Airport, one
of the Vicky Barr Flight Stewardess series
by Helen Wills whom some will remember
as the author of the Cherry Ames Nurse stories.
What has become of the languorous girls
who would pass the long limp summer evenings reading
Cherry Ames, Student Nurse, Cherry Ames, Senior Nurse,
Cherry Ames, Chief Nurse, and Cherry Ames, Flight Nurse?
Where are they now, the ones who shared her adventures
as a veterans’ nurse, private duty nurse, visiting nurse,
cruise nurse, night supervisor, mountaineer nurse,
dude ranch nurse (there is little she has not done),
rest home nurse, department store nurse,
boarding school nurse, and country doctor's nurse?

O Canada, I have not forgotten you,
and as I kneel in my canoe, beholding this vision
of a bookcase, I pray that I remain in your vast,
polar, North American memory.
You are the paddle, the snowshoe, the cabin in the pines.
You are Jean de Brebeuf with his martyr’s necklace of hatchet heads.
You are the moose in the clearing and the moosehead on the wall.
You are the rapids, the propeller, the kerosene lamp.
You are the dust that coats the roadside berries.
But not only that.
You are the two boys with pails walking along that road,
and one of them, the taller one minus the straw hat, is me.

—BILLY COLLINS

On Turning Ten

The whole idea of it makes me feel
like I'm coming down with something,
something worse than any stomach ache
or the headaches I get from reading in bad light--
a kind of measles of the spirit,
a mumps of the psyche,
a disfiguring chicken pox of the soul.

You tell me it is too early to be looking back,
but that is because you have forgotten
the perfect simplicity of being one
and the beautiful complexity introduced by two.
But I can lie on my bed and remember every digit.
At four I was an Arabian wizard.
I could make myself invisible
by drinking a glass of milk a certain way.
At seven I was a soldier, at nine a prince.

But now I am mostly at the window
watching the late afternoon light.
Back then it never fell so solemnly
against the side of my tree house,
and my bicycle never leaned against the garage
as it does today,
all the dark blue speed drained out of it.

This is the beginning of sadness, I say to myself,
as I walk through the universe in my sneakers.
It is time to say good-bye to my imaginary friends,
time to turn the first big number.

It seems only yesterday I used to believe
there was nothing under my skin but light.
If you cut me I could shine.
But now when I fall upon the sidewalks of life,
I skin my knees. I bleed.

—Billy Collins

;;

Template by:
Free Blog Templates